Joel Felix

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Hand Lettering Process

I've been asked quite often on how I tackle some of my hand-lettering projects. So I thought I'd document a brief insight into how I work. The DBusiness Magazine cover turned out to be a perfect project to document.

I was first approached by Hour Media with the concept of doing a hand-lettering cover. I'd seen this done before, with so many great illustrators and hand-letterers (what comes to mind more recently Jon Contino's Washingtonian, and Dana Tanamachi's HOW magazine covers). I knew how I wanted to look in my head but translating what's in your head onto paper is what separates the best from the rest.

Here is what the client gave me to layout, with "Top Lawyers" being the main headline.
Top Lawyers in Metro Detroit 2013
1,000+ Honorees 
18,000+ lawyers surveyed
5-County region
Top law schools attended
52 specialized practice areas
Intellectual Property Law
Trusts & Estates
Family Law
Personal Injury
Product Liability
Business Law

Working out how the layout of headlines will flow.

Finished  pencil drawing of how the headlines were laid out.

Refine it, and Ink it.

Final inking. 

You can begin to see hierarchy issues when it's all black and weight. Color plays an important role in calling out information and creating a smooth flow of hierarchy. Once you've got the final inking scanned in, ( I usually scan in at high-res 600dpi, so i can blow it up and control the Illustrator tracing filter better.) then you can clean things up in Illustrator. You'll notice I switched places between the "18K Lawyers Surveyed" and the "52 Specialized Practice Areas". I felt the 18K was competing with the "2013" in the headline in the original pencil drawing. Because this was now all vector it was easy to group things and move them around a bit. Refine your kerning, composition spacing and fix any alignment issues. I went through each headline and made refinements, some very minor, but remember, it's always the small things that make the difference.

Introduce color. Yes I'm still on CS3.

I worked closely with the Art Director at DBusiness on color options and we ended up doing a three color (navy, teal and gold) solution which helped hierarchy. Something I learned in school, which you'd be smart to remember is "White/Paper is always another color." (thanks Gwen.) Especially when your on a tight budget and can only afford a one or two-color job, try and see how you can use the paper color to aid in your design. And there you have it. Once you package up your job and send the final files (along with the invoice) you have another cool piece for your portfolio. Cheers!

Final cover art.

Top Lawyers Headline

Hand Lettering Spotlight no. 1: Erik Marinovich

So I've decided to do a short series of blog entries based off of hand-lettering geniuses who have inspired me in a lot of my more recent work. If "Typography is what language looks like," then these designers/illustrators are giving her the amazing personality to go along with the looks. It is the unique voice that hand-lettering gives to typography that I find so attractive. It seems to me to be the perfect balance between design and illustration and the fine art of craftsmanship that is not going anywhere. And so, (begin drumroll) I'd like to start this thing off with a bang by introducing...Erik Marinovich! (Loud applause now). 

Erik works alongside illustration/lettering superstar Jessica Hische at TitleCase in San Francisco. I first became aware of his work a few years ago via the Friends of Type blog, which he cofounded with a few other type enthusiasts and is updated regularly with some really amazing custom lettering samples and several guest appearances. Erik's work is really beautiful, clean, and loaded with type experimentation, a commendable sense of craft, and diversity. His control of any given medium to create type just blows my mind. I have selected a few images to showcase below, but his online portfolio is definitely worth more attention if you are into that kind of thing. 

Hand Drawn Type

Typography has always been one of my passions within design. I especially love hand-drawn type and all it's expressive qualities. Here is a quote from a plaque I saw on the U.S.S. Constitution during my recent visit to Boston. It's been on my to-do list to draw more, but it always seems to be pushed on the back burner between my full-time work and freelance work. You know how it goes.

They say "the work you do when your procrastinating, is the work you should be doing full time." But that won't pay the bills. Until I can make a living off of drawing type, It'll just have to be a hobby and another creative outlet. As for this particular type-treatment I guess you can say this is my tribute to the 2012 olympics (which starts this week) and Team USA. "Liberty Forever."